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The Beatles performing “Eleanor Rigby (From "Yellow Submarine").”
Released as a double A-side with the song "Yellow Submarine in August 1966, Eleanor Rigby marked a giant leap forward in the way that The Beatles thought about their art, following their exploration of new and more complex musical ideas such as “Day Tripper” and “Paperback Writer”. Written and performed by Paul McCartney as part of the Revolver sessions, this features a string composition from George Martin that helped to change the way that people considered “pop music”.
The film is a sequence originally used in the movie “Yellow Submarine", released in July 1968. With it’s surreal, ground-breaking visuals it both brought a new concept of creating a visual video to accompany a song and also ushered in a new style of animation which helped to inspire Terry Gilliam’s animations for the TV comedy series, Monty Python’s Flying Circus.
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The Beatles performing “Paperback Writer.”
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The Beatles performing “Penny Lane.”
Two days after recording some overdubs for 'A Day In The Life', The Beatles spent the afternoon in East London at Angel Lane, Stratford, filming scenes for the video of 'Penny Lane' with Scandinavian director, Peter Goldmann.
Shortly after the East London shoot, Goldmann and The Beatles headed to Knole Park, the grounds of a stately home in Kent, to film scenes of the band horse-riding in the countryside. Around this time, Goldmann and his crew (but minus The Beatles) travelled to Liverpool to shoot the sequences near to Penny Lane.
A few days before filming started for 'Penny Lane', Goldmann shot a promo for 'Strawberry Fields Forever'. Both shoots presented a challenge for everyone involved owing to the Musicians' Union ban on any action that could be construed as miming. Despite these limitations, both the films Goldmann made were so innovative that neither would have looked out of place on MTV a decade and a half later.
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The Beatles performing “Hello, Goodbye.”
When The Beatles began recording what would become their third single to be released in 1967, its working title was ‘Hello, Hello’. The single sat at No.1 in both the UK and America for the first three weeks of 1968.
Paul directed the promotional film for ‘Hello, Goodbye’, remarking later: “Directing a film is something that everyone always wants to get into. It was something I’d always been interested in, until I actually tried it. ... There was so much of that going on – so many decisions to be made – that I ended up hating it.”
“I just ran out there: ‘Get a shot of this! Do this for a bit now! Let’s have a shot there! Get a close-up of him! Get the girls on their own! Go back there! Get a wide angle! We’ll edit it, we’ll make it work.’”
The video debuted on the Ed Sullivan Show, Sunday 26 November 1967.
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The Beatles performing “Revolution.”
“When you talk about destruction, don’t you know that you can count me out"
“I did the slow version and I wanted it out as a single: as a statement of The Beatles’ position on Vietnam and The Beatles’ position on revolution. For years, on The Beatles’ tours, Brian Epstein had stopped us from saying anything about Vietnam or the war.” - John Lennon.
“Plugging directly into the Abbey Road desk and pushing the needles into the red achieved the fuzz-guitar sound. According to George Martin “We got into distortion on that, which we had a lot of complaints from the technical people about. But that was the idea: it was John’s song and the idea was to push it right to the limit. Well, we went to the limit and beyond.”
“Revolution" was directed by Michael Lindsay-Hogg, and filmed on the 4th September 1968 at Twickenham Film Studios.
“Don’t you know it’s gonna be all right”
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The Beatles performing “Yellow Submarine.”
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The Beatles performing “Here Comes The Sun.”
On August 8, 1969, the world’s most famous band stepped out from London’s EMI Recording Studios to stride, single-file, across the black and white stripes of Abbey Road’s nearby zebra crossing. With photographer Iain Macmillan balanced on a stepladder and one policeman stopping the street’s light traffic, The Beatles crossed back and forth three times, led by John Lennon, followed by Ringo Starr, Paul McCartney, and George Harrison. Just six photos were taken, with the fifth selected as the cover shot for The Beatles’ penultimate studio album, Abbey Road, named after the tree-lined street in which the studios are located.
Released September 26, 1969, Abbey Road was not The Beatles’ final album, as Let It Be followed in 1970, but it was the last one John, Paul, George, and Ringo recorded together as a band. The Beatles celebrated Abbey Road’s anniversary with a suite of beautifully presented packages released worldwide on September 27, 2019 by Apple Corps Ltd./Capitol/UMe. Now available, the album’s 17 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo, high res stereo, 5.1 surround, and Dolby Atmos, accompanied by 23 session recordings and demos, most of which are previously unreleased.
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The Beatles performing “Help!”
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The Beatles performing “I Want To Hold Your Hand Live On The Ed Sullivan Show 2/9/64.”
‘I Want to Hold Your Hand’ was the first Beatles’ record to top both the UK and the US charts. It was also their first to be recorded on a 4-track, as opposed to the usual 2-track, tape machine. The Beatles had the song well rehearsed when they made the first of 17 takes on October 17th 1963.
Following The Beatles’ historic appearance on The Ed Sullivan show on February 9th, the single – already at No.1 in the charts – gained further momentum. They taped a performance of the song earlier in the day of their live appearance and it was shown on the Sullivan show of February 23rd, which helped maintain the song’s popularity. This avalanche of publicity, engineered by Brian Epstein, helped the single to stay at the top for seven weeks, which made it the longest-running No.1 of their career to date (until ‘Hey Jude’).
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The Beatles performing “A Day In The Life.”
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The Beatles performing “Something.”
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The Beatles performing “Strawberry Fields Forever.”
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The Beatles performing “Come Together.”
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The Beatles Greatest Hits Full Album - Best Beatles Songs Collection
The Beatles Greatest Hits Full Album - Best Beatles Songs Collection
The Beatles Greatest Hits Full Album - Best Beatles Songs Collection
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The Beatles performing “Hey Jude.”
Hey Jude topped the charts in Britain for two weeks and for 9 weeks in America, where it became The Beatles longest-running No.1 in the US singles chart as well as the single with the longest running time.
The Beatles did not record their promotional film until Hey Jude had been on sale in America for a week. They returned to Twickenham Film Studio, using director Michael Lindsay-Hogg who had worked with them on Paperback Writer and Rain. Earlier still, Lindsay-Hogg had directed episodes of Ready Steady Go! And a few months after the film for Hey Jude he made The Rolling Stones Rock and Roll Circus TV special that featured John and Yoko but wouldn’t be shown until 1996
To help with the filming an audience of around 300 local people, as well as some of the fans that gathered regularly outside Abbey Road Studios were brought in for the song’s finale. Their presence had an unlikely upside for The Beatles in their long-running saga with the Musicians’ Union in that the MU were fooled into believing the band were playing live, when in fact they were miming for the vast majority of the song. Paul, however, sang live throughout the song.
The video was first broadcast on David Frost’s Frost On Sunday show, four days after it was filmed. At that point transmission was in black and white although the promo was originally shot in colour. It was first aired in America a month later on 6 October 1968, on The Smotheres Brothers Comedy Hour.
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The Beatles performing "Don't Let Me Down.”
Written by John as an expression of his love for Yoko Ono, the song is heartfelt and passionate. As John told Rolling Stone magazine in 1970, “When it gets down to it, when you’re drowning, you don’t say, ‘I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,’ you just scream.”
During filming on the roof of Apple, two days after the recording of the track, the band played ‘Don’t Let Me Down’ right after doing two versions of 'Get Back’ and it led straight into 'I’ve Got A Feeling’. Michael Lindsay-Hogg was once again directing a Beatles’ shoot. He and Paul met regularly at the tail end of 1968, while Hogg was directing The Rolling Stones Rock and Roll Circus, to discuss the filming of The Beatles’ session in January. By the time that fateful Thursday came around, the penultimate day of January would be the last time The Beatles ever played together in front of any kind of audience.
This is not the version of ‘Don’t Let Me Down’ heard on the single but the version from the Let It Be… Naked album – a composite of both versions that were performed on the roof of Apple in Savile Row
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Now and Then's eventful journey to fruition took place over five decades and is the product of conversations and collaborations between the four Beatles that go on to this day. The long mythologised John Lennon demo was first worked on in February 1995 by Paul, George and Ringo as part of The Beatles Anthology project but it remained unfinished, partly because of the impossible technological challenges involved in working with the vocal John had recorded on tape in the 1970s. For years it looked like the song could never be completed. But in 2022 there was a stroke of serendipity. A software system developed by Peter Jackson and his team, used throughout the production of the documentary series Get Back, finally opened the way for the uncoupling of John’s vocal from his piano part. As a result, the original recording could be brought to life and worked on anew with contributions from all four Beatles. This remarkable story of musical archaeology reflects The Beatles’ endless creative curiosity and shared fascination with technology. It marks the completion of the last recording that John, Paul and George and Ringo will get to make together and celebrates the legacy of the foremost and most influential band in popular music history.
Video Director: Oliver Murray
Producers: Jonathan Clyde and Sophie Hilton
Original score: Paul Englishby
Sound Designer: Alastair Sirkett
Audio Restoration: Park Road Post Production
Order/Listen to Now And Then: https://TheBeatles.lnk.to/NowAndThenYT
Order/Listen to Red and Blue: https://TheBeatles.lnk.to/RedAndBlue2023YT
Watch more videos from The Beatles: https://thebeatles.lnk.to/YTPlaylists
Subscribe to The Beatles’ YouTube channel & ring the bell to never miss a new video: https://thebeatles.lnk.to/YTSignup
Sign up for The Beatles’ Official Email List: https://www.thebeatles.com/newsletter
Stream The Beatles:
🎙️ Apple Music: https://thebeatles.lnk.to/stream/AppleMusic
🎙️ Spotify: https://thebeatles.lnk.to/stream/Spotify
🎙️ Amazon Music: https://thebeatles.lnk.to/stream/AmazonMusic
🎙️ Pandora: https://thebeatles.lnk.to/stream/Pandora
🎙️ Tidal: https://thebeatles.lnk.to/stream/Tidal
🎙️ Deezer: https://thebeatles.lnk.to/stream/Deezer
🎙️ YouTube Music: https://thebeatles.lnk.to/stream/YouTubeMusic
Follow The Beatles:
⭐ https://www.thebeatles.com
⭐ https://www.instagram.com/thebeatles
⭐ https://www.facebook.com/thebeatles
⭐ https://www.tiktok.com/@thebeatles
⭐ https://twitter.com/thebeatles
#TheBeatles #NowAndThen #JohnLennon #PaulMcCartney #GeorgeHarrison #RingoStarr
Now and Then's eventful journey to fruition took place over five decades and is the product of conversations and collaborations between the four Beatles that go on to this day. The long mythologised John Lennon demo was first worked on in February 1995 by Paul, George and Ringo as part of The Beatles Anthology project but it remained unfinished, partly because of the impossible technological challenges involved in working with the vocal John had recorded on tape in the 1970s. For years it looked like the song could never be completed. But in 2022 there was a stroke of serendipity. A software system developed by Peter Jackson and his team, used throughout the production of the documentary series Get Back, finally opened the way for the uncoupling of John’s vocal from his piano part. As a result, the original recording could be brought to life and worked on anew with contributions from all four Beatles. This remarkable story of musical archaeology reflects The Beatles’ endless creative curiosity and shared fascination with technology. It marks the completion of the last recording that John, Paul and George and Ringo will get to make together and celebrates the legacy of the foremost and most influential band in popular music history.
Order/Listen to "Now And Then": https://TheBeatles.lnk.to/NowAndThenYT
Order/Listen to 'Red' and 'Blue': https://TheBeatles.lnk.to/RedAndBlue2023YT
Watch more videos from The Beatles: https://thebeatles.lnk.to/YTPlaylists
Subscribe to The Beatles’ YouTube channel & ring the bell to never miss a new video: https://thebeatles.lnk.to/YTSignup
Sign up for The Beatles’ Official Email List: https://www.thebeatles.com/newsletter
Stream The Beatles:
🎙️ Apple Music: https://thebeatles.lnk.to/stream/AppleMusic
🎙️ Spotify: https://thebeatles.lnk.to/stream/Spotify
🎙️ Amazon Music: https://thebeatles.lnk.to/stream/AmazonMusic
🎙️ Pandora: https://thebeatles.lnk.to/stream/Pandora
🎙️ Tidal: https://thebeatles.lnk.to/stream/Tidal
🎙️ Deezer: https://thebeatles.lnk.to/stream/Deezer
🎙️ YouTube Music: https://thebeatles.lnk.to/stream/YouTubeMusic
Follow The Beatles:
⭐ https://www.thebeatles.com
⭐ https://www.instagram.com/thebeatles
⭐ https://www.facebook.com/thebeatles
⭐ https://www.tiktok.com/@thebeatles
⭐ https://twitter.com/thebeatles
#TheBeatles #NowAndThen #JohnLennon #PaulMcCartney #GeorgeHarrison #RingoStarr
Now and Then's eventful journey to fruition took place over five decades and is the product of conversations and collaborations between the four Beatles that go on to this day. The long mythologised John Lennon demo was first worked on in February 1995 by Paul, George and Ringo as part of The Beatles Anthology project but it remained unfinished, partly because of the impossible technological challenges involved in working with the vocal John had recorded on tape in the 1970s. For years it looked like the song could never be completed. But in 2022 there was a stroke of serendipity. A software system developed by Peter Jackson and his team, used throughout the production of the documentary series Get Back, finally opened the way for the uncoupling of John’s vocal from his piano part. As a result, the original recording could be brought to life and worked on anew with contributions from all four Beatles. This remarkable story of musical archaeology reflects The Beatles’ endless creative curiosity and shared fascination with technology. It marks the completion of the last recording that John, Paul and George and Ringo will get to make together and celebrates the legacy of the foremost and most influential band in popular music history.
Video Director: Peter Jackson
Video Producers: Peter Jackson, Clare Olssen, Jonathan Clyde
Audio Producers: Paul McCartney and Giles Martin
Production Company: WingNut Films Productions Ltd
Order/Listen to Now And Then: https://TheBeatles.lnk.to/NowAndThenYT
Order/Listen to Red and Blue: https://TheBeatles.lnk.to/RedAndBlue2023YT
Watch more videos from The Beatles: https://thebeatles.lnk.to/YTPlaylists
Subscribe to The Beatles’ YouTube channel & ring the bell to never miss a new video: https://thebeatles.lnk.to/YTSignup
Sign up for The Beatles’ Official Email List: https://www.thebeatles.com/newsletter
Stream The Beatles:
🎙️ Apple Music: https://thebeatles.lnk.to/stream/AppleMusic
🎙️ Spotify: https://thebeatles.lnk.to/stream/Spotify
🎙️ Amazon Music: https://thebeatles.lnk.to/stream/AmazonMusic
🎙️ Pandora: https://thebeatles.lnk.to/stream/Pandora
🎙️ Tidal: https://thebeatles.lnk.to/stream/Tidal
🎙️ Deezer: https://thebeatles.lnk.to/stream/Deezer
🎙️ YouTube Music: https://thebeatles.lnk.to/stream/YouTubeMusic
Follow The Beatles:
⭐ https://www.thebeatles.com
⭐ https://www.instagram.com/thebeatles
⭐ https://www.facebook.com/thebeatles
⭐ https://www.tiktok.com/@thebeatles
⭐ https://twitter.com/thebeatles
#TheBeatles #NowAndThen #JohnLennon #PaulMcCartney #GeorgeHarrison #RingoStarr
London 360 visits Akala's intelligent Hip Hop talk
‘Mental health is something that has plagued my family. My father took his own life when I was 24.’
Singer and mental health campaigner Professor Green, opens up about his own anxiety and mental health problems as increasing numbers of people suffer amid the cost-of-living crisis.
Watch on TV: Virgin 604, Freesat 216, Sky 515, Freeview 236, YouView 236
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Watch the full episode here -
https://www.youtube.com/watch?v=Q-zuTZuYeCg
Subscribe to our main channel -
www.youtube.com/TheDiaryOfACEO
Professor Green aka Stephen Manderson is known for his multiple chart topping songs throughout the years but there is so much behind each and every track inspired by his rocky upbringing, to say he has faced and overcome adversity to reach where he is would be a real understatement. He was born and raised in Hackney, growing up on one of the most notoriously troubled council estates at the time. He has won a number of personal battles ranging from health trauma and poverty to parental abandonment.
Sponsor -
https://uk.huel.com/
#ProfessorGreen #ProfessorGreenStabbed
I do not own anything. All credits go to the right owners. No copyright intended.
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This is professor green ft Emeli Sandé plz like and subscribe
Professor Green Ft. Maverick Sabre Jungle + Lyrics
![Professor Green ft. Dream Mclean & Rinse - How Many Moons (Remix) [Official Audio]](https://i.ytimg.com/vi/rsmLeP8ba7s/maxresdefault.jpg)
Subscribe for more Professor Green: http://bit.ly/professorgreentv
The official audio for the 'How Many Moons' remix featuring Dream McLean and Rinse
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Download Alive Till I'm Dead on iTunes: http://bit.ly/AliveTillImDeadiTunes
Download At Your Inconvenience on iTunes: http://bit.ly/AtYourInconvenienceiTunes
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More Pro Green...
Official Website: http://bit.ly/ProfessorGreenOfficial
Twitter: http://bit.ly/ProfessorGreenTwitter
Facebook: http://bit.ly/ProfessorGreenFB
VEVO: http://bit.ly/ProfessorGreenVEVO
Professor Green
I do not own the copyright to this song all credit to original artist.
Channel 4 News talks to the award winning rapper Professor Green aka Pro Green - who has a documentary on white working class men - about why they're failing to engage with the education system. Are they in danger of ending up ignored, bored and left behind - and what's the answer?
